by Toni Usman
Rs. 799 Rs. 599
تاریک ایام ریاستی جبر سے تنگ آکر تارکینِ وطن ہونے والے باپ اور بیٹی کے درمیان نفسیاتی کشمکش کا ایک مکالمہ ہے۔ یہ کہانی ریاستی جبر، متعصب امیگریشن قوانین اور غیر انسانی سمگلنگ جیسے مکروہ جرائم کا خلاصہ پیش کرتی ہے۔ ہینی مانکل کے لکھے گئے اس اسٹیج پلے کو پہلی دفعہ کتاب کی صورت شائع کیا جارہا ہے۔ اس پلے کا اردو ترجمہ پاکستانی نژاد نارویجن آرٹسٹ ٹونی عثمان نے مرتب کیا ہے۔
ہینی مانکل سویڈن کے دارلحکومت اَسٹاک ہولم میں 1948ء میں پیدا ہوئے۔ 1966ء میں وہ تعلیم کے لئے پیرس چلے گئے جہاں انکی آشنائی ترقی پسند رحجانات سے ہوئی۔ 1972ء سے لے کر 1981ء تک وہ ناروے میں مقیم رہے اور تھیٹر کے لئے کام کرتے رہے۔ مانکل کا کہنا تھا کہ وہ دنیا میں استحصال اور لوٹ مار کے خلاف مذاحمت میں اپنا حصہ ڈالنے کے لئے لکھتے ہیں۔
مترجم ٹونی عثمان تقریبا تین دھائیوں سے ناروے میں ٹیلی ویژن، تھیٹر اور ریڈیو سے منسلک ہیں۔ ٹونی عثمان پروڈکشنز کے نام سے انکی ایک رجسٹرڈ تھیٹر کمپنی ہے جس کے وہ آرٹسٹک ڈائریکٹر ہیں۔ اسی کمپنی کے بینر تلے ہی تاریک ایام کو 2018ء میں اوسلو میں اسٹیج پر پیش کیا گیا تھا۔
Availability: In Stock
Meeting the South Asian Parents
Who Raised Me
by Sopan Deb
A bittersweet and humorous memoir of family—of the silence and ignorance that separate us, and the blood and stories that connect us—from an award-winning New York Times writer and comedian.
Approaching his 30th birthday, Sopan Deb had found comfort in his day job as a writer for the New York Times and a practicing comedian. But his stage material highlighting his South Asian culture only served to mask the insecurities borne from his family history. Sure, Deb knew the facts: his parents, both Indian, separately immigrated to North America in the 1960s and 1970s. They were brought together in a volatile and ultimately doomed arranged marriage and raised a family in suburban New Jersey before his father returned to India alone.
But Deb had never learned who his parents were as individuals—their ages, how many siblings they had, what they were like as children, what their favorite movies were. Theirs was an ostensibly nuclear family without any of the familial bonds. Coming of age in a mostly white suburban town, Deb’s alienation led him to seek separation from his family and his culture, longing for the tight-knit home environment of his white friends. His desire wasn’t rooted in racism or oppression; it was born of envy and desire—for white moms who made after-school snacks and asked his friends about the girls they liked and the teachers they didn’t. Deb yearned for the same.
Deb’s experiences as one of the few minorities covering the Trump campaign, and subsequently as a stand up comedian, propelled him on a dramatic journey to India to see his father—the first step in a life altering journey to bridge the emotional distance separating him from those whose DNA he shared. Deb had to learn to connect with this man he recognized yet did not know—and eventually breach the silence separating him from his mother. As it beautifully and poignantly chronicles Deb’s odyssey, Missed Translations raises questions essential to us all: Is it ever too late to pick up the pieces and offer forgiveness? How do we build bridges where there was nothing before—and what happens to us, to our past and our future, if we don’t?
“A delightful memoir of people and place that will draw in Deb’s fans and attract plenty of new ones.”
-Library Journal (starred review)
“I was moved by the ways in which Sopan Deb taps into both the darkness and light that permeate a story about love, family, and understanding. He’s a masterful storyteller, and I’m thankful for his bravery and willingness to share the kind of human story that we too often prefer to keep to ourselves.”
-Kal Penn, comedian and actor
“Both moving and hilarious, Missed Translations is not just about exploring culture, family, and love, but about understanding where one comes from in the deepest possible way. It’s a wonderful journey.”
-Jake Tapper, CNN host and author of The Hellfire Club“
“Sopan Deb hilariously and truthfully lets us in on the ups, downs, lefts, and rights of trying to understand – as a standup comedian and a journalist – the two grown-up strangers who raised him. It’s a crazy story, but you know. Good crazy. Funny crazy. Read-this-book crazy.”
-Pete Holmes, comedian, podcast host, and author of Comedy Sex God
“As a man who has both been a performer and covered performance, Sopan Deb now paints his most important picture yet, the self-portrait.”
-Roy Wood Jr., comedian and correspondent on The Daily Show with Trevor Noah
“A sympathetic portrait of South Asians who are neither crazy and rich nor humorless nerds…Memoirs by children of immigrants often fault clueless parents; this one is refreshing for Deb’s realization that—whatever his elders’ missteps—he needed “to take some responsibility for my part in our family’s disconnect” for things to change.”
“While his topic is serious, Deb’s writing is breezy and witty, and his earnestness will sweep readers up into this charmer of a memoir.”
Publisher: Folio Books
Publishing Date: December 31, 2020
New Paradigms by the Arab Spring
Following the much-publicized self-immolation of Muhammad Bouazizi on December 18, 2010, a tempestuous succession of demonstrations, revolutions and civil wars swept the Middle East and North Africa (MENA) region. These events, collectively referred to as the “Arab Spring” spread contagiously throughout the Middle East and the Maghreb. However, for autocratic states, instead of ushering in tidy transitions of power, the revolutions and uprising descended into chaos, greatly complicating the task of analysts and historians attempting to make sense of the events. Has the Arab Spring brought much-needed change to the Arab people or will instability and turmoil preserve a perpetual state of “Arab Winter”.
Publisher: Folio Books
Publishing date: July 2018
Pakistani Women’s Literary and Cinematic Fictions
While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women’s attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women—in relation to both their environment and to various discourses of nation and patriarchy.
Through an astute analysis of such works as Sabiha Sumar’s Khamosh Pani (2003), Mehreen Jabbar’s Ramchand Pakistani (2008), Sorayya Khan’s Noor (2006), Uzma Aslam Khan’s Trespassing (2003), and Kamila Shamsie’s Burnt Shadows (2009), Rahman illuminates how Pakistani women’s creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman’s analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.
Shazia Rahman is a professor of English at Western Illinois University.
“A welcome intervention to the incipient debate on women and ecological degradation in Pakistan that will enrich understandings of self, place, and belonging beyond the narrow confines of the postcolonial state’s official nationalism.”
– Ayesha Jalal, director of the Center for South Asian and Indian Ocean Studies at Tufts University
“An urgent and consequential book on the deep entanglements between gender
politics and environmental justice. . . . Impressive, vital work.”
– Rob Nixon, author of Slow Violence and the Environmentalism of the Poor
“This book will be required reading not only among ecocritics but also among feminist, postcolonial, ethnic, Pakistani, and American studies scholars.”
– Joni Adamson, director of the Environmental Humanities Initiative at Arizona State University
“Shazia Rahman’s ethically charged book offers a fresh and novel engagement with cultural production from Pakistan, an enormously important part of South Asia that is nevertheless often neglected in postcolonial studies.”
– Ananya Jahanara Kabir, author of Partition’s Post-Amnesias: 1947, 1971, and Modern South Asia
Publisher: Folio Books
Publishing date: April 2021
Availability: In Stock
Navigating activism, politics and modernity in Pakistan
Edited by Sherry Rehman
Rs. 995 | $ 25.00
As we enter a new century, with its promise of change, women in Pakistan often emerge as its best face forward. At the same time, a persistent and growing trendline of disadvantage and discrimination throws up a harsh counterfactual to the motivating success stories. Knitting these skeins together is the complex, long, often untold tale of women who think, speak, act and give up a part of their comfort zone to push the rights agenda, to take on the architecture of patriarchy and extremism or to call out resurgent misogynies. This is a book about these women, by these women, for the women who struggle to find a voice.
This anthology of essays attempts to do two things. It seeks first to provide testament and context to women’s activism through the lived experience and voices of pioneers who not just headlined the rights struggle in Pakistan, but also gave it intellectual meaning and moral quest. In this endeavour, this book looks to capture a repository of important voices in order to create a slice of memory. The second idea motivating this collection is to probe the connection between the fairly coherent movement of the 1980s to the post-millennial activism that is challenging norms and pushing the boundaries of patriarchy today. Without forcing a grand narrative on the essays, a selection of younger writers uses this space to grapple with persistent barriers reified by the state, while speaking to new problems that tag on to new opportunities. These young women seek to add their voices to the changing face of women’s activism in contemporary Pakistan, while building a new vocabulary to address emerging challenges.
“Poignant, profound and powerful.”
-Hillary Rodham Clinton, Former United States Secretary of State and Senator
“This book is a must-read. It shines a light on the potential of Pakistani women. I am awed and inspired by the sheer range of innovative thought and by the commitment to activism demonstrated by this anthology.”
-Malala Yousafzai, Nobel Prize Laureate
“Combining powerful voices from the multiple arenas, histories and strategies of the women’s struggle in Pakistan, Sherry Rehman has curated an original and enabling resource for everyone working for women’s rights and dignity across the Global South.”
-Ahdaf Soueif, Author, Cairo: My City, Our Revolution
“Like a loudspeaker, this book has amplified the voices of all kinds of women, involved in all kinds of struggles. This book is saying loudly and clearly that Pakistani women, be they rural or urban, economically poor or rich, will not stop thinking, speaking and challenging injustice.”
-Kamla Bhasin, Feminist, Poet and Author, Exploring Masculinity
“Wide-ranging and illuminating, this collection is a necessary read for anyone who wants to understand Pakistan and/or the tug of war between patriarchal oppression and feminist resistance.”
-Kamila Shamsie, Author, Home Fire
“This book does the important work of bringing together the discourse on Pakistani women’s experiences, struggles and activism, presented in bits and pieces in the past, documenting and describing the depth and breadth of the journey of Pakistani women towards recognition of gender identity, collective rights and access.”
-Justice Majida Razvi, First Female High Court Judge in Pakistan
“In the 30 years I have known Sherry Rehman, she has always been a pioneer and a true sister in a land which has not always appreciated it—and one of my personal heroes. Here she brings together an astonishing collection of voices, both young and old, to tell the untold history of how Pakistan’s women’s movement has evolved—and the battles it still faces.”
-Christina Lamb, Chief Foreign Correspondent, Sunday Times
“A timely and important book that unites intergenerational feminists in a call to action.”
-Tina Brown, Editor, The Daily Beast
Publisher: Folio Books
Weight in kg: 0.5
Release date: March 28, 2021